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[10] The player is unable to contact the Navigator (between Mitsuru Kirijo and later Fuuka Yamagishi) in Tartarus to change the dungeon's background music like in the original game, nor is the player able to direct the party to split up and find hidden Treasures and Shadows scattered on the current floor. The party is also able to either walk or fully sprint when traversing the dungeon, but doing the latter also increases the chance that Shadows patrolling the current floor are alerted to the party's presence.[11]
I fully appreciate this improvement to the presentation, as the well-done voice acting made the Social Link interactions much more enjoyable to sit through and had me more invested in their stories than in the original version, where they were mostly unvoiced.
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The structure and progression within Tartarus has not been altered from the original game whatsoever, but has been expanded with more environmental variety to encourage exploration, and sports unique visual effects accomplished by the game's use of Unreal Engine 4, such as improved lighting. The fatigue mechanic has been completely removed to reflect subsequent entries, making it so that the party is unable to tire during exploration, thus no longer affecting their battle performance. Each floor within Tartarus also houses breakable objects in the form of fire effigies that can be swung at to obtain hidden treasure and items.
The soundtrack is just as incredible to listen to as ever – providing a relaxing atmosphere during calm moments, tension and dread during serious moments, and blood-pumping excitement during boss battles. The soundtrack has even managed to make me feel emotional during the sad and poignant parts of the story.
The Velvet Room is what connects daily life and dungeon life together. This section gives a brief introduction to its services. The Velvet Room offers the following resources to use during the game.
If that doesn’t sound appealing, you’re better off looking for more traditional JRPGs with more grounded settings where you go off on a journey to explore the world and save it from evil villains.
Dive into the Dark Hour and awaken the depths of your heart. Persona 3 Reload is a captivating reimagining of the genre-defining RPG, reborn for the modern era with cutting-edge graphics and gameplay.
Some floors are linear corridors like in the original, while others are now labyrinthine-like mazes in which you could become lost if you’re not using the map correctly.
The game's final logo went through multiple design iterations, with earlier concepts entirely reimagining the typeface to illustrate the intent of the game rebooting Persona 3 for a new audience. However, as it became increasingly clear to the development staff that Reload would retain the original game's core while only updating its presentation and accessibility, Kumagai and Azusa Shimada created a logo that largely resembled the original game's title treatment, but with the Reload moniker communicating its status as a remake with new elements as opposed to an HD remaster.[27][28]
I played the expanded version of the original Persona 3 called Persona 3 FES in 2009 and haven’t replayed it since. So, I was excited about this remake to see if it could improve aspects of the original game that hadn’t aged well or introduce new elements to make it fresh.
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Returning tracks have been rearranged with new singer Azumi Takahashi and I’ve grown to love her renditions. At the same time, there’s something comforting in hearing the deep vocals and distinct flow of rapper Lotus Juice again. For Reload, the brand-new songs not only fit wonderfully alongside the originals, they’ve quickly become some of the series’ best tunes, which I don’t say lightly given its track record.
Even the side characters you interact with through the game’s Social Link events get persona 3 reload gameplay this treatment, as every major Social Link event is now fully voiced for the first time in the Persona series.